Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Joseph Haunzinger
Portrait of Emperor Joseph II

ID: 80545

Joseph Haunzinger Portrait of Emperor Joseph II
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Joseph Haunzinger Portrait of Emperor Joseph II


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Joseph Haunzinger

Josef Hauzinger: Marie Antoinette, Erzherzog Maximilian und Ludwig XVI., Ol auf Leinwand, um 1776  Related Paintings of Joseph Haunzinger :. | The Children of Ayscoghe Boucherett | Prince Baltasar Carlos on Horseback kh | Three Lass | Entombment of Christ | Still life of a lute,books,apples and lemons,together with a gilt tazza with a wine glass and decanters,all upon a stone ledge |
Related Artists:
CARPACCIO, Vittore
Italian High Renaissance Painter, ca.1450-1525
Sanford Robinson Gifford
1823-1880 Sanford Robinson Gifford (July 10, 1823 ?C August 29, 1880) was an American landscape painter and one of the leading members of the Hudson River School. Gifford's landscapes are known for their emphasis on light and soft atmospheric effects, and he is regarded as a practitioner of Luminism, an offshoot style of the Hudson River School. Returning to his studio in New York City, Gifford painted numerous major landscapes from scenes he recorded on his travels. Gifford's method of creating a work of art was similar to other Hudson River School artists. He would first sketch rough, small works in oil paint from his sketchbook pencil drawings. Those scenes he most favored he then developed into small, finished paintings, then into larger, finished paintings.
Sir David Wilkie
1785-1841 British Sir David Wilkie Galleries Wilkie may have inherited his rectitude and tenacity, even his nervous inhibitions, from his father, the minister of his native parish. Though little responsive to schooling, he showed an early inclination towards mimicry that expressed itself in drawings, chiefly of human activity. In these he was influenced by a copy of Allan Ramsay pastoral comedy in verse, the Gentle Shepherd (1725), illustrated by David Allan in 1788. One of the few surviving examples of his early drawings represents a scene from it (c. 1797; Kirkcaldy, Fife, Mus. A.G.). Wilkie cherished the demotic spirit of this book and its illustrations throughout his life.






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